Here are the items I recommend that you need:
- Tripod
Can't really be done without a sturdy tripod. Make sure you clips are closed when the legs are extended, easy to miss when setting up in the dark! A sand bag on a wall/top of car can get you by but does limit you to angles etc. - Cable release
A lot of the time I will forget this so am limited to use the longest setting of 30seconds. There are two kinds you can get, a simple one with a lock for bulb setting, or a digital one where you can watch your time, or set the length of the exposure you want. If you don't have a cable release use the self timer to avoid any camera shake, even though over 30 seconds it really shouldn't matter. - Torch
To see where you are going! And to light paint foregrounds etc. Be careful not to attract unwanted attention, and be prepared to tell police you are not signaling drug smugglers! - Timer
If your cable release doesn't have one use your watch (or simply count!), I find the iPhone too cumbersome, and too bright (which can also attract unwanted attention). - Warm clothes
Depends on your location/time of year, but standing around for long periods of time even on a summer night can get chilly.
Here are some samples, with camera settings and any other relevant details.
This was a perfect night, clear sky with a few whiskey clouds and a full money just rising. Any later and the moon would have been too high and would have lit up too much of the sky and taken away from the stars. This a place I drove by in day time and took note of it to return when the right night came along.
Exposure 30 | Aperture f/9.0 | ISO 800
Making use of the city lights against the clouds and the sea at low tide.
Exposure 92 | Aperture f/8.0 | ISO 200
Short long exposure! using a ledge as a tripod, being careful not to knock the camera down the 100 floors!
Exposure 2.5 | Aperture f/2.8 | ISO 200
A somewhat cloudy night. Using a torch to light the rocks in the foreground, starting half way through the exposure, waving the light along the rocks (from behind the camera).
Exposure 30 | Aperture f/10.0 | ISO 200
A boosted ISO for a change to make use of all the lighting sources - moon, star, city, nearby street lamp, and subjects head-torch.
Exposure 30 | Aperture f/4.5 | ISO 1600
This was dusk, and taken from a bridge. The exposure was limited to 4 seconds as this is from when a car came into sight to when it came on to the bridge and started shaking it too much, ruining the photo.
Exposure 4 | Aperture f/16.0 | ISO 200
Another one of those perfect nights, with clear sky and a few fluffy clouds scattered about. Forgot the cable release, but 30 seconds gave enough time to blur the clouds and waves.
Exposure 30 | Aperture f/2.8 | ISO 200
Going after three subjects in this photo, the stars, the light house, and the foreground rocks lit with the torch.
Exposure 30 | Aperture f/2.8 | ISO 200
A simple one taking advantage of a nicely lit night, with the waves breaking on the shore lit using the torch.
Exposure 30 | Aperture f/3.5 | ISO 400
Get your cable release (timers) here.
Cheap but the source of my torches!
